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Accepter
 

Disponibilité et classement

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PIONEERS OF ELECTRONIC MUSIC
ANTHOLOGIES GENERALES

  • Ref. X 679E
  • NEW WORLD RECORDS, 2006. Enregistrement 1952-1971.

"In 1950, the Columbia University Music Department requisitioned a tape recorder to use in teaching and for recording concerts. In 1951, the first tape recorder arrived, an Ampex 400, and Vladimir Ussachevsky, then a junior faculty member, was assigned a job that no one else wanted: the care of the tape recorder. This job was to have important consequences for Ussachevsky and the medium he developed. Electronic music was born. Over the next ten years, Ussachevsky and his collaborators established the Columbia-Princeton Electronic Music Center, which Ussachevsky directed for twenty years. It was the first large electronic music center in the United States, thanks to the path-breaking support of the Rockefeller Foundation and encouragement from two of the country?s leading universities. The Center became one of the best-known and most prolific sources of electronic music in the world. All of the music on this historic reissue (originally released on CRI CD 611) is the result of the pioneering work of the Center and its composers."

Pistes

  • 1 Sonic contours
  • 2 Low speed
  • 3 Invention in twelve notes
  • 4 Fantasy in space
  • 5 Incantation
  • 6 Moonflight
  • 7 Piece for tape recorder
  • 8 Kolyosa
  • 9 Stereo electronic music no.2
  • 10 Computer piece no.1
  • 11 Sketch 1
  • 12 Sketch 2
  • 13 Synchronisms no.5
  • 14 The transformation of Ani